Thing is, the man gave as much to rock ‘n’ roll as he did to hot rodding, and while the first may have been lucrative for him, the second set off a whole hot-rodding chain reaction throughout the nation. The clone was built by California Street Rods and Gibbons possesses both the cars, as well all his other hot rods till today. Even before they revved themselves up into synth-boosted MTV hitmakers in the Eighties, ZZ Top were never an ordinary blues-rock band. But the moment the videos went live on MTV, clamor to see the car for real arose equally loud.įor some tours, Gibbons did take his car along but when the popularity of the car arose to great heights in somewhat crazed fans, Gibbons is said to have commissioned a clone, something he could take along his tours and keep his first and foremost love safe and sound in his garage. The car in the video was bought by Gibbons from the original owner in Arizona. Where most veteran artists turn to Rick Rubin for a back-to-basics reboot, ZZ Top’s 2012 dalliance with the famed producer yielded “I Gotsta Get Paid,” a sleazy, grease-fried reinterpretation of DJ DMD’s Houston-rap standard “25 Lighters.The Eliminator album, which featured the hot Gimme All Your Lovin’ carried the Ford Coupe’s painting as the album cover, along with being in all four videos of the song. The song is unabashed elemental boogie, celebrating the institution that came to be known as the best little whorehouse in Texas. Since then, ZZ Top have kept on rollin’ past the half-century mark, and they remain the rare classic-rock institution that always keeps its ear to the ground for fresh inspiration. That attitude led to songs like 'Manic Mechanic' and 'Cheap Sunglasses. When they returned to action in 1979, punk rock had emerged, emboldening the band to cut loose, with less concern about what FM radio might play.
Zz top songs series#
And it wasn’t just their appearance that had changed: With 1983’s blockbuster Eliminator, ZZ Top crosswired their gritty grooves with New Wave synths and sequencers to the tune of over 10 million copies sold, while a series of videos featuring hot models cruising around in the album cover’s customized vintage Ford Coupe made the band icons of the then-nascent MTV. ZZ Top took some time off after their 1976 album Tejas. Though ZZ Top often played the part of Southern showmen with their cowboy hats and Nudie suits, by the early ‘80s, Gibbons and bassist Dusty Hill had grown out their beards past their chests, lending this workmanlike band a quirky visual trademark just in time for the music-video era. Gilbert had some experiences on ZZ Top’s Heard It On The X way back from his teenage years. Texan bluesman Lance Lopez met Billy Gibbons when he was 16, when they bonded over a love of Jimi Hendrix. But thanks to guitarist Billy Gibbons’ pedigree in ‘60s garage outfit The Moving Sidewalks, horndog rave-ups like “Tush” and “La Grange” eschewed epic, Skynyrd-sized jams for a raw, raunchy energy tailor-made for a target demographic of (as another one of their early standards put it) beer drinkers and hell raisers. The 10 Best ZZ Top Songs, by Billy Gibbons protege Lance Lopez. Upon forming in Houston in 1969, ZZ Top were among a wave of Southern rock bands outfitting bluesy, British Invasion-schooled riffs with countrified fingerpicking and desert-baked grooves. So, Afterburner, their most synthetic album, will not please most ZZ Top fans, even if it did go platinum several time over and reached number four. The strangest thing about ZZ Top is that they can lay claim to being both the dirtiest no-nonsense blues-rock band of the ‘70s and the glitziest camera-ready electro-boogie group of the ‘80s.
The only member of ZZ Top without a beard is drummer Frank Beard, but that’s just the second-strangest thing about this Texan trio.
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